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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

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Little John of Colchester, a poor lunatic, c.1823 by John Dempsey

Dempsey's people

About Face article

Those of you who are active in social media circles may be aware that through the past week I have unleashed a blitz on Facebook and Instagram in connection with our new winter exhibition Dempsey’s People: A Folio of British Street Portraits, 1824−1844.

Brains trust

About Face article

Eminent doctors and scientists have for more than a century consistently caused our nation to punch far above her weight.

Christmas Island

About Face article

This is my last Trumbology before, in a little more than a week from now, I pass to my successor Karen Quinlan the precious baton of the Directorship of the National Portrait Gallery.

Queen Victoria

About Face article

Last Sunday I had the privilege of appearing at the Canberra Writers’ Festival in conversation with Julia Baird. The subject of our session was Julia’s recent biography, Victoria the Queen: An Intimate Biography of the Woman who Ruled an Empire.

Cooey! An Australian Song

About Face article

"Coo-ey, Coo-ey, Coo-ey, Coo-ey—Love has caught the strain, Coo-ey, Coo-ey, Coo-ey, Coo-ey—it whispers back again." The “Australian lady” who composed these fruity lyrics was none other than Desda— Jane Davies, sometime Messiter (née Price) of Leddicott, Lavender Bay.

Angkor Wat

About Face article

Nothing quite prepares the first-time visitor to Cambodia for the scale and grandeur of the monuments of the ancient Khmer civilisation of Angkor.

Desert Island Discs

About Face article

I agonized over the choice of four songs to take with me to the ABC Studios for Alex Sloan’s Canberra 666 afternoon program, a sort of iteration of the old BBC Desert Island Discs.

The selfie stick

About Face article

Last week ABC Television came to interview me about selfie sticks. The story was prompted by the announcement that the Metropolitan Museum of Art in New York has lately prohibited the use of these inside their galleries. So far as I am aware we have not yet encountered the phenomenon, but no doubt we will before too long.

The personal and the historical

About Face article

Where do we draw a line between the personal and the historical? Although she died in Melbourne in 1975, when I was not quite eleven years old, I have the vividest memories of my maternal grandmother Helen Borthwick.

The Pavlova

About Face article

It is a painful truth, but one which must be faced up to, that the pavlova, that iconic Australian dessert, a staple since the 1930s, was actually invented in New Zealand.

Angus Trumble Director, National Portrait Gallery

Cherish the brethren

About Face article

Fortunately, perhaps, there is no instruction manual for newly appointed art museum directors.

Louise, daughter of the Hon. L. L. Smith by Tom Roberts, 1888

An Australian in Paris

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This week it is impossible not to contemplate the ways in which France has touched many Australian lives.

On the passage and pace of time

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In shock it fluctuates and with age, accelerates. Remembering the First World War and the Easter Rising.

The National Photographic Portrait Prize turns ten

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It is now a little more than 178 years since the French Academy of Sciences was made aware of the invention of the daguerreotype process.

Group photograph taken at the coronation of King George VI including Queen Elizabeth II, Duke and Duchess of Gloucester and the Queen Mother, 12 May 1937 by Hay Wrightson

Poise and Carats

About Face article

I keep going back to Cartier: The Exhibition at the National Gallery of Australia next door, and, within the exhibition, to Princess Marie Louise’s diamond, pearl and sapphire Indian tiara (1923), surely one of the most superb head ornaments ever conceived.

Angus Young, 2003 (printed 2014)

Ingvar Kenne

Portrait, type C photograph on paper

Gift of the artist 2017. Donated through the Australian Government's Cultural Gifts Program.

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